Pois é, a Net está repleta de coisas absolutamente ridículas...
Obrigado à Rita P. por partilhar esta pequena pérola, tributo à paralisia cerebral crónica em pessoas aparentemente saudáveis...
Eh Marine (Vídeo Original)
Eh Marine (Tributo 1)
Tribute to the famous movie, Dans ta Gueule
Made by portuguese Genious at Lemede (coimbra), a center of spiritual retirement.
This is a movie that reflects our point of view about the biological-stetical question of a "tiroles" never could have born in the region of Renania after the proclamation of the independency of the plantation of potatoes in river nile.
Duarte P.
Filipe X.
Leonardo C.
Mário S.
Eh Marine tribute reborn
Due to our fandom to the original video, "Eh Marine" me and Killi had to do a tribute, so I slaped him with full force!
Mostrar mensagens com a etiqueta Uncategorized. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Uncategorized. Mostrar todas as mensagens
2007-07-19
Ele há coisas estúpidas...
Pois é, a Net está repleta de coisas absolutamente ridículas...
Obrigado à Rita P. por partilhar esta pequena pérola, tributo à paralisia cerebral crónica em pessoas aparentemente saudáveis...
Eh Marine (Vídeo Original)
Eh Marine (Tributo 1)
Tribute to the famous movie, Dans ta Gueule
Made by portuguese Genious at Lemede (coimbra), a center of spiritual retirement.
This is a movie that reflects our point of view about the biological-stetical question of a "tiroles" never could have born in the region of Renania after the proclamation of the independency of the plantation of potatoes in river nile.
Duarte P.
Filipe X.
Leonardo C.
Mário S.
Eh Marine tribute reborn
Due to our fandom to the original video, "Eh Marine" me and Killi had to do a tribute, so I slaped him with full force!
Obrigado à Rita P. por partilhar esta pequena pérola, tributo à paralisia cerebral crónica em pessoas aparentemente saudáveis...
Eh Marine (Vídeo Original)
Eh Marine (Tributo 1)
Tribute to the famous movie, Dans ta Gueule
Made by portuguese Genious at Lemede (coimbra), a center of spiritual retirement.
This is a movie that reflects our point of view about the biological-stetical question of a "tiroles" never could have born in the region of Renania after the proclamation of the independency of the plantation of potatoes in river nile.
Duarte P.
Filipe X.
Leonardo C.
Mário S.
Eh Marine tribute reborn
Due to our fandom to the original video, "Eh Marine" me and Killi had to do a tribute, so I slaped him with full force!
2007-07-02
Popular Podcast com tutoriais e dicas de profissionais sobre artes gráficas, software e tecnologia.
Adobe Photoshop TV Reaches 2 Million Downloads in a Single Month
The producers of the highly trafficked video Podcast, Adobe Photoshop TV report today that their weekly presentation has been downloaded over two million times in the month of May 2006, drawing more individual viewers than a typical NHL playoff game broadcast*.
Ler mais aqui:
http://www.dexigner.com/digital/news-g8389.html
2007-03-30
Commandos básicos de MySQL e PHP
O recurso a bases de dados (como MySQL) é cada vez mais importante dada a crescente quantidade de informação que se produz e manipula. É indispensável o recurso a profissionais qualificados da área, mas a verdade é que para fazer pequenas experiências, ou somente para não ficarmos completamente às escuras quando planeamos um projecto, saber o mínimo de manipulação de Bases de Dados bem como os Scripts que as manipulam é cada vez mais necessário.
Enter MySQL + PHP
MySQL - Base de dados, um "contentor de frigoríficos";
PHP - Linguagem de Script para manipulação "dos frigoríficos";
Ambos gratuitos e Open Source, são inúmeros os recursos on-line para aprender e aperfeiçoar os nosso domínio destas ferramentas. Aqui ficam alguns links bem como os comandos básicos para uma primeira abordagem a estas tecnologias:
Tutoriais gratuitos on-line:
http://users.fba.up.pt/~pamado/designlab/?p=12
Primeiros passos (e links extra):
http://users.fba.up.pt/~pamado/designlab/?p=19
Enter MySQL + PHP
MySQL - Base de dados, um "contentor de frigoríficos";
PHP - Linguagem de Script para manipulação "dos frigoríficos";
Ambos gratuitos e Open Source, são inúmeros os recursos on-line para aprender e aperfeiçoar os nosso domínio destas ferramentas. Aqui ficam alguns links bem como os comandos básicos para uma primeira abordagem a estas tecnologias:
Tutoriais gratuitos on-line:
http://users.fba.up.pt/~pamado/designlab/?p=12
Primeiros passos (e links extra):
http://users.fba.up.pt/~pamado/designlab/?p=19
Introdução ao Adobe Flash 8 e Actionscript 2.0
Os documentos de apoio (Slides das Sessões e Manual), bem como os exemplos (das sessões e exercício final) para a formação de Flash 8 encontram-se aqui:
http://users.fba.up.pt/~pamado/designlab/?p=10
http://users.fba.up.pt/~pamado/designlab/?p=10
2007-03-29
Formação Webdesign
Enviamos por e-mail os documentos relativos à formação CCRE em Webdesign, decorrido dias 8, 12 e 13 de Março de 2007, na FBAUP.
A lista de ficheiros é composta por:
01_sessão1.rtf
(index de conteúdos relativa à sessão1);
02_xhtml.txt
(introdução, estrutura, sintaxe e referências e links sobre xhtml);
03_css.txt
(introdução, estrutura, sintaxe e referências e links sobre css);
04_rss.txt
(introdução, estrutura e links sobre rss);
05_sessão2.rtf
(index de conteúdos relativa à sessão2);
06_acessibilidade.txt
(links e noções sobre acessibilidade na web;
linguagens server-side: PHP, ASP, Ruby on Rails, Python;
client-side: JavaScript);
07_php.txt
(introdução, estrutura, sintaxe e referências e links sobre php);
08_forms_xhtml.txt
(formulários de xhtml);
09_javascript.txt
(introdução, estrutura, sintaxe e referências e links sobre JavaScript);
10_links.rtf
(compilação de links úteis, além dos referidos nos documentos anteriores).
O site exemplo construído durante a sessão pode ser consultado online e segue em zip.
A lista de ficheiros é composta por:
01_sessão1.rtf
(index de conteúdos relativa à sessão1);
02_xhtml.txt
(introdução, estrutura, sintaxe e referências e links sobre xhtml);
03_css.txt
(introdução, estrutura, sintaxe e referências e links sobre css);
04_rss.txt
(introdução, estrutura e links sobre rss);
05_sessão2.rtf
(index de conteúdos relativa à sessão2);
06_acessibilidade.txt
(links e noções sobre acessibilidade na web;
linguagens server-side: PHP, ASP, Ruby on Rails, Python;
client-side: JavaScript);
07_php.txt
(introdução, estrutura, sintaxe e referências e links sobre php);
08_forms_xhtml.txt
(formulários de xhtml);
09_javascript.txt
(introdução, estrutura, sintaxe e referências e links sobre JavaScript);
10_links.rtf
(compilação de links úteis, além dos referidos nos documentos anteriores).
O site exemplo construído durante a sessão pode ser consultado online e segue em zip.
25 - On Photography (by Susan Sontag)
Go into a bookstore with a photography criticism section. Pick up a book and open it to a random page. If the text on the page seems laughably incoherent then you've gotten hold of something written by a university professor. These books really ought to be pulped at the bindery with a few copies reserved for the author's tenure committee but for some reason they occasionally make it past the book buyer at a reputable store and hence you end up reading feminist deconstruction of a diamond jewelry ad.
Photo Net
Photo Net
24 - Fotógrafos
Andy Goldsworthy
Araki
Art Dada Virtual Gallery
Artnet
Aziz + Cucher
Center For Photographic Art
Daniel Blaufuks
Dieter Appelt
Eyestorm
Fifty One
EXIT
Fotomuseum Winterthur
Gallery of Photography
George Eastman House
Gerd Bonfert
Gregory Crewdson
Guggenheim Museum
Guy Bourdin
Guy Limone
Hiroshi Sugimoto
Internacional Center of Photography
Jason Salavon
Jiri David
Joachim Mogarra
Joan Fontcuberta
John Coplans
Keith Cottingham
Linda Connor
Magnum Photos
Maison Europeenne de la Photographie
ManRay Photo
Masters of Photography
Maurizio Galimberti
Moscow House of Photography
Musée d’Orsay
Patrick Tosani
Philip Lorca Dicorcia
Photo District News
Photography Guide
Photography-Now
Photology
Robert Klein Gallery
Robert Mapplethorpe Foundation
Sam Taylor-Wood
Smog
Staleywise
Stedelijk - Museum of Modern Art
The American Museum of Photography
The Museum of Modern Art, New york
The Museum of Photographic Arts
Thomas Grunfeld
UCR / California Museum of Photography
William Eggleston
Yasumasa Morimura
Zone Zero
Araki
Art Dada Virtual Gallery
Artnet
Aziz + Cucher
Center For Photographic Art
Daniel Blaufuks
Dieter Appelt
Eyestorm
Fifty One
EXIT
Fotomuseum Winterthur
Gallery of Photography
George Eastman House
Gerd Bonfert
Gregory Crewdson
Guggenheim Museum
Guy Bourdin
Guy Limone
Hiroshi Sugimoto
Internacional Center of Photography
Jason Salavon
Jiri David
Joachim Mogarra
Joan Fontcuberta
John Coplans
Keith Cottingham
Linda Connor
Magnum Photos
Maison Europeenne de la Photographie
ManRay Photo
Masters of Photography
Maurizio Galimberti
Moscow House of Photography
Musée d’Orsay
Patrick Tosani
Philip Lorca Dicorcia
Photo District News
Photography Guide
Photography-Now
Photology
Robert Klein Gallery
Robert Mapplethorpe Foundation
Sam Taylor-Wood
Smog
Staleywise
Stedelijk - Museum of Modern Art
The American Museum of Photography
The Museum of Modern Art, New york
The Museum of Photographic Arts
Thomas Grunfeld
UCR / California Museum of Photography
William Eggleston
Yasumasa Morimura
Zone Zero
23 - Photomontage
Photomontage is the process (and result) of making a composite picture by cutting and joining a number of photographs. The English photographer, Henry Peach Robinson (1830-1901) is credited with making the first photomontages, soon after starting his career in 1857. Many of the early examples of fine-art photomontage superimposed photographed elements on watercolours, a combination returned to by (e.g.) George Grosz, in about 1915. David Ridge has extended this idea by using photographs of painted, sculptured landscapes as part of the composition (1999/2000). Other methods for combining pictures are also called photomontage, such as combination printing (the printing from more than one negative on a single piece of printing paper - e.g. O. G. Rejlander, 1857) and front-projection and computer montage techniques
JAHSONIC
JAHSONIC
22 - Filmes e Fotografia
COR
Blue - Jarman, Derek (1993, GB)
By Design (2005, EUA) - Irma Boom / Michael Nyman; John Maeda / Ryuichi Sakamoto; Peter Saville / New order & Terranova
PERCEPÇÃO
History Of Perception: Light & sound - VA (1944, EUA)
Film Ist. - Deutsch, Gustave (1998, AUS)
FOTOGRAFIA
Shadow Of A Doubt - Hitchcock, Alfred (1943, EUA)
Rear Window - Hitchcock, Alfred (1954, EUA)
Peeping Tom - Powell, Michael (1960, GB)
Le Petit Soldat - Godard, Jean-Luc (1963, FRA)
Blow Up - Antonioni, Michelangelo (1966, GB / ITA)
Persona - Bergman, Ingmar (1966, SUE)
Smoke - Wang, Wayne (1995, ALE / EUA / JAP)
TEMPO / MOVIMENTO
Edison Kinetoscopic Record Of A Sneeze - Dickson, William K.L. (1894, EUA)
Eadweard Muybridge: Zoopraxographer - Andersen, Thom (1975, EUA)
L'Année Dernière À Marienbad - Resnais, Alain (1961, FRA / ITA)
La Jetée - Marke, Chris (1962, FRA)
Memento - Nolan, Christopher (2000, EUA)
Russian Ark - Sokurov, Aleksandr (2002, RUS / ALE)
DUPLO
Suspicion - Hitchcock, Alfred (1941, EUA)
The Dark Mirror - Siodmak, Robert (1946, EUA)
Dr. Strangelove Or: How I Learned To Stop Worrying And Love The Bomb - Kubrick, Stanley (1964, GB)
A Zed & Two Noughts - Greenaway, Peter (1985, GB / HOL)
Dead Ringers - Cronenberg, David (1988, CAN / EUA)
La Double Vie De Véronique - Kieslowski, Krzysztof (1991, FRA / POL)
Fight Club - Fincher, David (1999 - ALE / EUA)
Blue - Jarman, Derek (1993, GB)
By Design (2005, EUA) - Irma Boom / Michael Nyman; John Maeda / Ryuichi Sakamoto; Peter Saville / New order & Terranova
PERCEPÇÃO
History Of Perception: Light & sound - VA (1944, EUA)
Film Ist. - Deutsch, Gustave (1998, AUS)
FOTOGRAFIA
Shadow Of A Doubt - Hitchcock, Alfred (1943, EUA)
Rear Window - Hitchcock, Alfred (1954, EUA)
Peeping Tom - Powell, Michael (1960, GB)
Le Petit Soldat - Godard, Jean-Luc (1963, FRA)
Blow Up - Antonioni, Michelangelo (1966, GB / ITA)
Persona - Bergman, Ingmar (1966, SUE)
Smoke - Wang, Wayne (1995, ALE / EUA / JAP)
TEMPO / MOVIMENTO
Edison Kinetoscopic Record Of A Sneeze - Dickson, William K.L. (1894, EUA)
Eadweard Muybridge: Zoopraxographer - Andersen, Thom (1975, EUA)
L'Année Dernière À Marienbad - Resnais, Alain (1961, FRA / ITA)
La Jetée - Marke, Chris (1962, FRA)
Memento - Nolan, Christopher (2000, EUA)
Russian Ark - Sokurov, Aleksandr (2002, RUS / ALE)
DUPLO
Suspicion - Hitchcock, Alfred (1941, EUA)
The Dark Mirror - Siodmak, Robert (1946, EUA)
Dr. Strangelove Or: How I Learned To Stop Worrying And Love The Bomb - Kubrick, Stanley (1964, GB)
A Zed & Two Noughts - Greenaway, Peter (1985, GB / HOL)
Dead Ringers - Cronenberg, David (1988, CAN / EUA)
La Double Vie De Véronique - Kieslowski, Krzysztof (1991, FRA / POL)
Fight Club - Fincher, David (1999 - ALE / EUA)
21 - Depth of Field Calculator
Use DOFMaster to print depth of field scales to take into the field. Rotate the dial to set the focus distance on the scale, and quickly read the near focus distance, far focus distance, and the hyperfocal distance.
Depth of Field Calculator
Depth of Field Calculator
2007-03-26
20 - Bibliografia
Bibliografia Principal
ADAMS, Ansel
- A Câmara. São Paulo: Editora Senac, 2000.
- O Negativo. São Paulo: Editora Senac, 2000.
- A Cópia. São Paulo: Editora Senac, 2000.
AMAR, Pierre-Jean - História da Fotografia. Lisboa: Edições 70, 2001.
BAQUÉ, Dominique - La Photographie Plasticienne - Un Art Paradoxal. Paris: Regard, 1998.
BARTHES, Roland - A Câmara Clara. Lisboa: Edições 70, 1981.
BAURET, Gabriel - Fotografia - História, Estilos, Tendências e Aplicações. Lisboa: Edições 70, 2000.
BENJAMIM, Walter - Sobre Arte, Técnica, Linguagem e Política. Lisboa: Relógio D'Água, 1992.
BERGER, John - Sobre o Olhar. Barcelona: Gustavo Gili, 2003.
BUSSELLE, Michael - Tudo Sobre Fotografia. Lisboa. Círculo de Leitores,1980.
CLARKE, Graham - The Photographe. Oxford: Oxford University Press, 1997.
CRIMP, Douglas - On the Museum's Ruins. Massachusetts: MIT Press - Massachusetts Institute of Technology, 1993.
DUBOIS, Philippe - O Acto Fotográfico. Lisboa: Edições Vega, 1992.
DUCHAMP, Marcel - O Acto Criativo. Portugal: Água Forte, 1997.
FLUSSER, Vilém - Ensaio Sobre a Fotografia - Para uma Filosofia da Técnica. Lisboa: Relógio D'Água, 1998.
FRADE, Pedro Miguel - Figuras do Espanto - A Fotografia antes da sua Cultura. Porto: Edições Asa, 1992.
FREEMAN, Michael - Grande Manual de Fotografia. Dinalivro, 1996.
FREUND, Gisèle - Fotografia e Sociedade. Lisboa: Vega, 1989.
HEDGECOE, John - Guia Completo de Fotografia. São Paulo: Martins Fontes, 1996.
KRAUSS, Rosalind - O Fotográfico. Barcelona: Gustavo Gili, 2002.
LANGFORD, Michael
- Fotografia Básica. Lisboa: Dinalivro, 1989
- Tratado da Fotografia. lisboa: Dinalivro, 1981
- A Fotografia de Efeitos Especiais. Lisboa: Dinalivro, 1987
McLUHAN, Marshall - Os Meios de Comunicação como Extensões do Homem. S. Paulo: Cultrix, 1971.
MANTE, Harald
- La Composition en Photographie. Paris, Dessain & Tolra, 1981
- Le Couleur en Photographie. Paris, Dessain & Tolra, 1977
MEDEIROS, Margarida - Fotografia e Narcisismo - O Auto-Retrato Contemporâneo. Lisboa: Assírio & Alvim, 2000.
RUSH, Michael - New Media in Late 20th-Century Art. London, Thames & Hudson Ltd, 2001.
SONTAG, Susan - Sobre La Fotografia. Barcelona: Edhasa, 1996.
TISSERON, Serge - El Misterio De La Cámara Lúcida - Fotografía e Inconsciente. Salamanca: Universidad de Salamanca, 2000.
WELLS, Liz - The Photography Reader. New York: Routledge, 2002.
Bibliografia Complementar
BAUDRILLARD, Jean - Simulacros e Simulação. Lisboa: Relógio D'Água, 1991.
DELEUZE, Gilles - Conversações. Portugal: Fim de Século, 2003.
ECO, Umberto - Obra Aberta. S. Paulo: Debates, 1968.
FOSTER, Hal - The Return of The Real. Massachusetts: MIT Press - Massachusetts Institute of Technology, 1996.
MALRAUX, André - O Museu Imaginário. Lisboa: Edições 70, 2000.
MANOVICH, Lev - The Language of New Media. Massachusetts: MIT Press - Massachusetts Institute of Technology, 2001.
ADAMS, Ansel
- A Câmara. São Paulo: Editora Senac, 2000.
- O Negativo. São Paulo: Editora Senac, 2000.
- A Cópia. São Paulo: Editora Senac, 2000.
AMAR, Pierre-Jean - História da Fotografia. Lisboa: Edições 70, 2001.
BAQUÉ, Dominique - La Photographie Plasticienne - Un Art Paradoxal. Paris: Regard, 1998.
BARTHES, Roland - A Câmara Clara. Lisboa: Edições 70, 1981.
BAURET, Gabriel - Fotografia - História, Estilos, Tendências e Aplicações. Lisboa: Edições 70, 2000.
BENJAMIM, Walter - Sobre Arte, Técnica, Linguagem e Política. Lisboa: Relógio D'Água, 1992.
BERGER, John - Sobre o Olhar. Barcelona: Gustavo Gili, 2003.
BUSSELLE, Michael - Tudo Sobre Fotografia. Lisboa. Círculo de Leitores,1980.
CLARKE, Graham - The Photographe. Oxford: Oxford University Press, 1997.
CRIMP, Douglas - On the Museum's Ruins. Massachusetts: MIT Press - Massachusetts Institute of Technology, 1993.
DUBOIS, Philippe - O Acto Fotográfico. Lisboa: Edições Vega, 1992.
DUCHAMP, Marcel - O Acto Criativo. Portugal: Água Forte, 1997.
FLUSSER, Vilém - Ensaio Sobre a Fotografia - Para uma Filosofia da Técnica. Lisboa: Relógio D'Água, 1998.
FRADE, Pedro Miguel - Figuras do Espanto - A Fotografia antes da sua Cultura. Porto: Edições Asa, 1992.
FREEMAN, Michael - Grande Manual de Fotografia. Dinalivro, 1996.
FREUND, Gisèle - Fotografia e Sociedade. Lisboa: Vega, 1989.
HEDGECOE, John - Guia Completo de Fotografia. São Paulo: Martins Fontes, 1996.
KRAUSS, Rosalind - O Fotográfico. Barcelona: Gustavo Gili, 2002.
LANGFORD, Michael
- Fotografia Básica. Lisboa: Dinalivro, 1989
- Tratado da Fotografia. lisboa: Dinalivro, 1981
- A Fotografia de Efeitos Especiais. Lisboa: Dinalivro, 1987
McLUHAN, Marshall - Os Meios de Comunicação como Extensões do Homem. S. Paulo: Cultrix, 1971.
MANTE, Harald
- La Composition en Photographie. Paris, Dessain & Tolra, 1981
- Le Couleur en Photographie. Paris, Dessain & Tolra, 1977
MEDEIROS, Margarida - Fotografia e Narcisismo - O Auto-Retrato Contemporâneo. Lisboa: Assírio & Alvim, 2000.
RUSH, Michael - New Media in Late 20th-Century Art. London, Thames & Hudson Ltd, 2001.
SONTAG, Susan - Sobre La Fotografia. Barcelona: Edhasa, 1996.
TISSERON, Serge - El Misterio De La Cámara Lúcida - Fotografía e Inconsciente. Salamanca: Universidad de Salamanca, 2000.
WELLS, Liz - The Photography Reader. New York: Routledge, 2002.
Bibliografia Complementar
BAUDRILLARD, Jean - Simulacros e Simulação. Lisboa: Relógio D'Água, 1991.
DELEUZE, Gilles - Conversações. Portugal: Fim de Século, 2003.
ECO, Umberto - Obra Aberta. S. Paulo: Debates, 1968.
FOSTER, Hal - The Return of The Real. Massachusetts: MIT Press - Massachusetts Institute of Technology, 1996.
MALRAUX, André - O Museu Imaginário. Lisboa: Edições 70, 2000.
MANOVICH, Lev - The Language of New Media. Massachusetts: MIT Press - Massachusetts Institute of Technology, 2001.
19 - How to Photograph Architecture (Exterior)
Architectural photography at its best will convey the experience of being in and around a built environment. In the case of the Dachau Concentration Camp, this won't result in comforting attractive images.
PHOTO NET
PHOTO NET
18 - Take Better Photos: Buildings and Architecture
Buildings are a great subject for people who want to improve their photography skills. You can experiment with all the basics of composition: lighting, perspective, framing, balance, symmetry, and more.
Learning to take architecture photos will help you capture more interesting vacation snapshots. They will also help you take terrific pictures of your home for real estate purposes. And you'll learn to see the buildings in your own town in a new way.
Architecture photography is not just about photographing famous monuments and soaring cathedrals. A modern skyscraper or your own home can be an interesting photo subject as well.
HP
Learning to take architecture photos will help you capture more interesting vacation snapshots. They will also help you take terrific pictures of your home for real estate purposes. And you'll learn to see the buildings in your own town in a new way.
Architecture photography is not just about photographing famous monuments and soaring cathedrals. A modern skyscraper or your own home can be an interesting photo subject as well.
HP
17 - Digital Perspective Control
You may have noticed that buildings look as though the are thinner at the top when you shoot from a low viewpoint, also a person's nose looks bigger when a wide angle is used close up, or how about a road disappearing into the distance? All these are result of perspective distortion and all affected by the angle of view and focusing point. Sometimes the results are out of your control and sometimes you can't create as much distortion as you would like, by a computer...it's all possible digitally
Digitally image-editing programs such as Photoshop and its budget version, Elements, have a transform tool that lets you pull the picture in different directions. Doing this allows you to make areas thicker or narrower to correct or enhance distortion. in this tutorial we'll look at how you correct perspective.
EPHOTOZINE
Digitally image-editing programs such as Photoshop and its budget version, Elements, have a transform tool that lets you pull the picture in different directions. Doing this allows you to make areas thicker or narrower to correct or enhance distortion. in this tutorial we'll look at how you correct perspective.
EPHOTOZINE
16 - Arquitectura e Fotografia
This exhibition of Architecture in Photography has been curated to pair portraits of esteemed, internationally recognized modern and contemporary architects with an image, or images, of at least one or more of their creations. All photographs presented have been taken by formidable photographers, including some of the foremost of this last century. To give an example, portraits of Walter Gropius by Philippe Halsman and Lucia Moholy coupled with images of the Bauhaus as taken by Lucia Moholy and Iwao Yamawaki.
SKJ STUDIO
SKJ STUDIO
14 - Photoshop - Tutorial 2
Adobe Photoshop is one of the most powerful digital image editing program ever developed. Originaly created for photo retouching, color correction, prepress services, illustration and other visual design activities, has now expanded to cover new areas such as web design, digital photography, digital video and 3d rendering, .
Adobe Photoshop standard tools and commands are straightforward to learn, but it is in their interaction where the magic lies. In this section you will find hundreds of tutorials created by Photoshop gurus sharing their knowledge about how to create special effects, color correction, photo retouching, textures and backgrounds, text effects, animation effects and everything from basic drawing to professional image editing.
PHOTOSHOP ROAD MAP
Adobe Photoshop standard tools and commands are straightforward to learn, but it is in their interaction where the magic lies. In this section you will find hundreds of tutorials created by Photoshop gurus sharing their knowledge about how to create special effects, color correction, photo retouching, textures and backgrounds, text effects, animation effects and everything from basic drawing to professional image editing.
PHOTOSHOP ROAD MAP
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